I learnt my love for conceptual art and iconography from Maruja Mallo (also my love for opera but that’s another story.) Maruja was the 4th unrecognized member of the “Student Residence” with Dali, Lorca and Buñuel in the Madrid of the ’20s. She camouflaged herself among the Surrealists, but she was really figurative, geometric and always very precise in her art.
Early in her career Maruja painted the working man and woman, transforming what she saw through lens of geometry and elevating this reality to iconographic status.
In her Tratados Armonicos (literally “Harmonic Treatises”) Maruja expresses her love and search for order, harmony and symmetry.
In her own words:
Nature is what began to attract me, to discover a new order. Order is the intimate architecture of nature and man, the living mathematics of the skeleton.
In nature—clairvoyant and mysterious, spontaneous and structured, devoid of anachronistic ghosts—I analyze the structure of minerals and vegetables, the diversity of crystalline and biological forms synthesized in numerical and geometric patterns, in a living and universal order…
While in the exile in South America she continued this quest for mathematical harmony as it can be observed in her series of heads.
Maruja Mallos’ talent was recognized very late in life, particularly by the younger generations who welcomed her back in Spain during the transition to democracy after Francisco Franco’s death in 1975.
Life in this planet is Art, Science or War.
Maruja in Spanish:
La naturaleza es lo que empieza a atraerme, hallar un nuevo orden. El orden es la arquitectura intima de la naturaleza y del hombre, la matemática viviente del esqueleto.En la naturaleza clarividente y misteriosa, espontánea y construida, desprovista de fantasmas anacrónicos, analizo la estructura de los minerales y vegetales, la diversidad de formas cristalinas y biológicas sintetizadas en un orden numérico y geométrico, en un orden viviente y universal…
La vida de este planeta es Arte, Ciencia o guerra.